Reviewing Theatre For Over 40 Years
Personal and Powerful: “Rabbit Hole” finishes a run at La Mirada Theatre
Loss hits each person differently, yet there are similarities which bind all of humanity together at such times. Even those who consider themselves straightforward, logical people can be so thrown by tragedy that the universe must shatter – at least for a while – and then rearrange itself into a new pattern of living. To bring this onto a public stage without turning it into a cliche or a Lifetime movie proves the greatest challenge, but one playwright David Lindsay-Abaire has overcome.
Which is why “Rabbit Hole”, now finishing a run as part of the McCoy Rigby Entertainment Series at La Mirada Theatre, won the 2007 Pulitzer Prize: it approaches the universal qualities of personal grief in an understated, and thus far more realistic way than most dramas, and also offers a keen portrait of a couple whose individual heartaches are balanced by an underlying, tenacious, mutual bond.
Becca and Howie, a fairly typical middle-class couple, wrestle daily with the aftermath of the accidental death of their 4-year-old son, who chased his dog into the path of an oncoming car. Their normalcy has edges, into which bump Becca’s flighty, irresponsible, and now pregnant younger sister, and her wry, quirky but observant mother. The strains between all of these people are evident, as they bounce off each other and wrestle with the process of moving forward. Yet, the connections seem to hold.
Deborah Puette is Becca, maintaining a stiff, almost obsessive normalcy amidst an increasing internal isolation. Michael Polak’s Howie moves between supportiveness and anger – some of it misplaced, but all of it sincere. Kristina Johnson gives Becca’s sister the oblivious and self-absorbed qualities which make her both an active irritant and a casual observer.
Lori Larsen’s entertainingly straightforward turn as Becca’s mother adds a certain kind of wisdom and patience into the entire environment. In a short, but important turn, Seamus Mulcahy creates a disarmingly innocent immaturity as the sincere teen who was driving on that fateful day.
All of this has been pulled into a natural, flowing cohesion by director Michael Matthews, who takes what is essentially a very episodic tale, and aided by Stephen Gifford’s modular, open set, turns it into a single story. And believe it or not, that story ends up not in grim detachment but in what actually happens, usually, in cases like this: the eventual movement back into life – peace, if not yet joy.
“Rabbit Hole” is funny, wrenching, sad and hopeful by turns. It holds a mirror up to relationship under stress, and a particularly intense aspect of the human condition in a way which is human, warm, and filled with connection. It is most certainly worth taking the time to take in.
What: “Rabbit Hole” When: Through November 17, 7:30 p.m. Wednesday and Thursday, 8 p.m. Friday, 2 p.m. and 8 p.m., and 2 p.m. Sunday Where: La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd. in La Mirada How Much: $20 – $70 Info: (526) 944-9801, (714) 994-6310 or http://www.lamiradatheatre.com