Reviews for theater within the greater Los Angeles area.
“The Best Little Whorehouse in Texas” – Solid rendition, dated content
January 17, 2014Posted by on
It’s not the first place you think of to host the silly, but somewhat risque 1970s musical “The Best Little Whorehouse in Texas,” but the Candlelight Pavilion Dinner Theatre in Claremont has made reputation recently for redefining the material such an institution will provide. Hot on the heels of “The Full Monty” and “Sweeney Todd,” their stage now hosts a ladies of a house of ill repute, a chorus of randy football players, and a live country band.
Actually, that batch of live musicians is the most innovative choice. With the exception of concert-like or tribute programs, Candlelight Pavilion usually uses the pre-recorded material now available for musicals on small stages. The in-house band, headed by musical director Douglas Austin, gives an immediacy to everything which proves surprisingly satisfying.
The production itself, directed and choreographed by John Vaughan, has style and pizzazz, and just enough titillation to bring that “wink, wink, nudge, nudge” factor one expects from a musical about such a topic. The performers are earnest to excellent. Still, one of the things which jumps out at the audience the most is how far we have come in our sensibilities since the 1970s. The thing isn’t played like a period piece, but it is one.
Lisa Layne does a solid job with the practical, but caring madam, Miss Mona. She has the voice for country music, and her performance does much to hold the show together. Steven Biggs’ friendly country sheriff makes a nice balance to Layne, offering tinges of middle-aged romance in the midst of the rest. Rashonda Johnson delivers another show-stopping performance as the house’s maid.
Indeed, all of the cast are enthusiastic and the energy is consistently strong. The singer/dancers who form the ensemble of “girls” and their paying customers dance well. The only slight disappointment comes from the comparatively quiet rendition of “The Aggie Song” – normally one of the most testosterone-laden shout-outs in modern musicals. Jeremy Magouirk makes fun work of the righteous investigator who threatens the house’s existence, and David Aldrete has fun with a stereotypical Texas politician or two.
Still, despite a script offers a view of women, and of prostitution, which is increasingly old fashioned. When the sheriff argues the economic plus to having this industry near town, it just isn’t as funny as it was when I first saw it in 1979, and not because it isn’t well presented.
So, the Candlelight Pavilion production of “The Best Little Whorehouse in Texas” is not for children. It’ just graphic enough – at least in implication – to leave younger kids with some awkward questions at the table. It is, however, quite well done, filled with entertaining dance numbers and considerable humor. Placed in its own time period, it becomes a humorous counter-argument to the women’s movement. Placed in our own, it jars a bit with how far many feel we’ve come in the past 35-40 years.
What: “The Best Little Whorehouse in Texas” When: Through February 2, doors open for dinner at 6 p.m. on Fridays and Saturdays, 5 p.m. on Sundays, and 11 a.m. for Saturday and Sunday matinees Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd. in Claremont How Much: meal inclusive, $53-$68 adults, $25 children under 12 Info: (909) 626-1254 ext. 1 or http://www.candlelightpavilion.com