Reviewing Theatre For Over 40 Years
“Good People” in La Mirada – 21st Century Class Consciousness
Long ago, my sociology professor made much of the fact that there were not specific social classes in the United States: that, like the Horatio Alger model, everyone had the ability to rise. This has become more and more debatable in the last half-century, as social forces clamp some into specific spaces in our national culture , not all of which are related to race.
In illustration, find the McCoy Rigby Entertainment production of “Good People,” David Lindsay-Abaire’s examination of class and culture in Boston, now at the La Mirada Theatre for the Performing Arts. Lindsay-Abaire, whose powerful examination of the nature and collateral damage of grief, “Rabbit Hole,” was a signature piece of last year’s MRE season, looks at the issue through the lens of a “Southie” – someone from traditionally blue collar, Irish, South Boston.
Margaret is a middle aged Southie at the end of her rope. Having just lost her most recent job, in part due to her struggles to care for her disabled adult daughter, she’s desperate for work. Her lifelong friend bumps into an old classmate, briefly Margaret’s love interest, who escaped the life of South Boston for a career as a doctor. Margaret decides to push him to lift her up, at least as far as giving her a job.
Has he become a “lace curtain Southie,” thinking he’s better than everyone else? Is her anger toward him justified? Is the lifestyle he now lives the dream Margaret thinks it is, or does class create struggle even there? What, in the end, are these characters’ actual truths, as the two possible endings for a Southie kid come face to face.
Katie MacNichol creates a distinctly edgy, biting quality to the desperate Margaret: quick to assume, aggressively judgemental and painfully honest, yet gifted by a sense of community on her home turf. As her buddy Jean, Gigi Bermingham offers up the same cynically humorous view of their individual desperations, while Anne Gee Byrd makes Margaret’s upstairs landlady obstinately practical, but caring in her own distant way.
As Mike, the doctor, Martin Kildare gives subtlety to the divide of sensitivities inside a successful man with Southie roots. Sophina Brown, as his wife, offers the third element: a woman raised with greater sophistication, whose struggles to connect her husband’s present image with his past may loom as large as Margaret’s.
Though not touted as a comedy, “Good People” has many laughs in the midst of these tensions. The title of this play comes from the phrase, “He (or she) is good people” – an important valuation in South Boston.The rest of the play is, in the end, an examination of what it means to be, or not be, good people – a goodness which resides in there somewhere, apparently particularly among people in extremity.
Though not as compelling as “Rabbit Hole,” as a play, the performances make the thing worth watching, as does director Jeff Maynard’s handling of this episodic tale. He smooths the transitions from place to place, and makes great use of Stephen Gifford’s representational set pieces. Adriana Lambarri’s costumes create instant class separations, and underscore the central themes of the piece.
For us west-coasters, who may have only heard of Southies in relation to the more local arrest of Whitey Bulger, it’s a look at a part of the country where the turf wars are more distinct, and more ingrained in social history. It’s also a good examination of why, at least in certain parts of the country, my sociology professor was probably wrong.
What: “Good People” When: Through October 12, 7:30 p.m. Wednesdays and Thursdays, 8 p.m. Fridays, 2 p.m. and 8 p.m Saturdays, and 2 p.m. Sundays Where: La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd. in La Mirada How Much: $20-$70 Info: (562) 944-9801 or (714) 994-6310 or http://www.lamiradatheatre.com