Reviewing Theatre For Over 40 Years
Oh the Horror! : Candlelight Pavilion makes the most of “Jekyll and Hyde”
The stage has not been immune to this fascination either, and in one of the more recent dramatizations, the musical “Jekyll and Hyde” made it to Broadway in the late 90s and stayed there for nearly 4 years. Like many of its counterparts on Broadway at the time, this version by Leslie Bricusse and Frank Wildhorn is operatic in style. Its focus stays mainly on the well-meaning Dr. Henry Jekyll, his experiments to remove evil from mankind, and the creation of the totally evil Edward Hyde – whose strength of personality gradually consumes the gentler but thus weaker Jekyll.
Now at the Candlelight Pavilion Dinner Theater, this musical version is not without its issues. Though the production is tight and well performed, the music and lyrics sometimes leave a bit to be desired. Still, the essence of the story survives, there are some strong characters. The show’s hit song, “This is the Moment,” which proves so pivotal, remains as powerful as ever. Much of the production’s success comes thanks to a strong, vocally impressive cast and a particularly elaborate setting for this small theater.
Michael Scott Harris virtually carries this piece, as Jekyll/Hyde. The transformations he makes from carefully appropriate doctor to vengeful wanton are brilliant – changes of voice, of carriage and articulation which take the audience along seamlessly as he shifts back and forth. In this he is well supported by Amy Gillette as Jekyll’s understanding, upper crust fiancé, and Laura Dickinson’s warm-hearted, easily abused prostitute, each of whom holds their versions of this one man in their hearts and passions. The singing in all these cases, honed to fit the characters, proves rich and sophisticated, leading the story along.
Also worthy of note are Richard Bermudez as Jekyll’s lawyer and longtime friend – the man who pushes hard to figure out what is going on, and Bob Bell as Jekyll’s future father-in-law, loving but deeply concerned. Beyond this a large and versatile cast play everything from street urchins to bishops with fervor and intelligence. Director Jason James uses the complex stage well, and just about the only thing one could wish for is that some of the set pieces would not make quite so much noise, rolling in behind active scenes.
Janet Renslow recreates the choreography from the original with style – often as much movement as it is dancing, and by and large the thing looks and feels as edgy and mysterious as it should. In short, for someone looking for a different way to feel spooky around the Halloween period, this is a fun one to see.
Note: this story is essentially an adult one. A number of characters are prostitutes plying their wares, and the changes in Jekyll, which are often quite vivid, might be disturbing to younger children. Although there may be a dish on the dinner menu for children, I would think twice about bringing them below a more sophisticated age.
What: “Jekyll and Hyde: The Musical” When: Through November 23, doors opening for dinner 6 p.m. Thursdays, Fridays and Saturdays, 5 p.m. Sundays, and 11 a.m. for Saturday and Sunday matinees Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd. in Claremont How Much: (meal inclusive) $53 – $68 general, $25 children under 12 Info: (909) 626-1254 ext. 1 or http://www.candlelightpavilion.com