Reviewing Theatre For Over 40 Years
Fascinating “Shiv” at Boston Court: What Imperialism Costs the Heart
At a time when the entire concept of white privilege is under a microscope, it becomes especially fascinating to explore the larger concepts of European/American imperialism and what that process has done to the world we now live in. Most particularly, what has been lost as several centuries of the practice interfered with the natural self-development of the peoples of the earth.
Which proves foundational to Aditi Brennan Kapil’s “Shiv,” now receiving its west coast premiere run at The Theatre at Boston Court. As the best introspective plays often are, this tale can be approached on a number of levels, but at its core it examines what is left behind when foundational cultures clash with dominant ones. It does so through the engaging story of one immigrant family from India.
Shiv is the daughter of a small-town Indian family. Her father was, back home, a celebrated anti-imperialist modernist poet. He raises his daughter on the stories of his upbringing in the home gifted to his family by local royalty. There his competitive nature had full sway, and his pride of place brought him to prominence.
Now he has come to the US, supposedly to give his daughter advantages in the western-controlled world, but at great cost to himself. His poetry does not translate well, and his daughter is left adrift, as both her father’s representative in this new world and the reminder of what he himself cannot do within it. All of this is seen through Shiv’s eyes, as she searches for the missing pieces of her father’s American narrative at the site of what were once a private publisher’s symposiums of Indian writers.
Which, of course, is only one level of the play. Symbolism proves key, and the mystical elements of Indian belief and culture mesh with motifs of light and power in ways which make the show a full-body experience. Unpacking these deeper elements may take a while, but the work is worth it.
Monika Jolly is Shiv, shifting back and forth from youth to adulthood with a seamlessness which underscores the central themes of the character’s struggles to balance the two parts of her life. Dileep Rao, as her father, manages to offer up external charm and internal desperation in the same breath, radiating hope toward his daughter at the same time as his own is evaporating in favor of cultural submission.
As the operator of the country estate once a center for supposed cultural awareness, James Wagner displays an openness which allows Shiv to move forward in her own explorations of her cultural identities. In balance to this, Leonard Kelly-Young speaks as the gut-wrenchingly absolute imperialist, deciding with western eyes what to value of eastern art, as the professor who owns this estate, where Shiv works and searches for answers to her father’s mysteries. Indeed, it is Kelly-Young’s powerful albeit brief performance which underlines all the ugliness toward which the play has built.
Under the direction of Emilie Beck, the production’s beautifully stark feel allows the many layered elements of this piece to coalesce. Stephanie Kerley-Schwartz’s imaginative setting allows Shiv’s character to float in her own imagination, tied only when she wants to be to the physical realities of the world around her. Tom Ontiveros’ integral video design fills the imagination and underscores the ethereal in the piece.
By the end one cannot help but wonder, as the characters do, what India or any other nation absorbed by western empire would have been like if left to mature on its own. Indeed one symbol near the end sticks in the mind as a visual of the disconnect between east and west: a snow globe holding a miniature Taj Mahal. As Shiv notes, why would there ever be snow on the Taj Mahal?
This, as with all things in this play, says many things at once. Yet, all of it proves engrossing from start to finish, and definitely worth the work of pondering after the fact. Go see “Shiv,” then take it home with you and let it steep awhile. The results will disturb the overly-confortable, but will voice what the modern world – American and otherwise – needs to hear.
What: “Shiv” When: Through August 9, 8 p.m. Thursdays through Saturdays, 2 p.m. Sundays Where: The Theatre at Boston Court, 70 N. Mentor Ave. in Pasadena How Much: $34 general, $29 seniors (62+)/students Info: (626) 683-6883 or http://www.bostoncourt.com