Reviewing Theatre For Over 40 Years
Women’s World: “Real Women Have Curves” returns to the stage in Pasadena
Take as example the seminal “Real Women Have Curves,” now at the Pasadena Playhouse. Josefina Lopez’s semi-autobiographical tale of struggling Latina garment workers in Los Angeles rings as true today as when it first appeared on the stage decades ago. Now in an enthusiastic, occasionally flawed, richly organic production at the Pasadena Playhouse, the show has lost little of its humor or its transformative power.
The tale centers on the rebellious Ana, the recent high school graduate with a newly minted resident’s card who has been strong-armed by her mother to help in her big sister’s tiny garment factory. There, while the sister, Estela, sweats the bills, deadlines and possible ICE raids (as she does not have the legal status her sister and mother have acquired), Carmen journals her frustrations and hopes, and dreams of college and a brighter future. She also documents the daily frustrations of factory life, with her mother, Carmen, and the two other factory workers: the angry Pancha who dreams of a life with the children she cannot have, and the delicate Rosali whose body image issues underscore her general fragility.
Director Seema Sueko has gathered a strong ensemble cast, and each character stands out even as they all create a unified sense of place and purpose. Santana Dempsey leads the cast in many ways as the rebellious Ana, vibrating with frustration and a deep unwillingness to give up on her dreams. Cristina Frias makes Estela wryly hopeful and in her own way, deeply committed to dreams which deepen as the story unfolds.
Blanca Araceli has the older generation’s attitudes and habits down cold, and makes the cultural references which define relationship and background with a particular conviction. Ingrid Oliu manages the balance of anguish, anger and community as the conflicted Pancha, while Diana DeLaCruz emphasizes the fragility and yearning of Rosali’s negative self-image all the while making her perhaps the most earnestly sweet member of the group.
Indeed, the only issues one can find with the production are subtle. There is constant talk of how heavy everyone other than Rosali is, and that is used to define character, yet the two sisters Ana and Estela are not particularly heavy. Though I would not have noticed it, the young Latina sitting with me pointed out that some of the most off-hand Spanish lines “a Mexican would say without thinking” are given an almost artificial, even hesitant, intensity. Yet these are only nit-picky things in what is generally a fine, funny and deeply satisfying production.
It looks good, too. David F. Weiner’s evocative set becomes a character all its own, while Abel Alvarado provides exactly the right clothing (and underpinnings) to define each character’s view of themselves, and a splendid splash for the show’s ending scene. The pacing, under director Sueko keeps the necessarily talky piece moving, and develops each character’s individual rhythm.
“Real Women Have Curves” was written by Lopez when she herself was very young. How splendid to see that it still speaks truth to an audience in 2015. Indeed, with the characters’ haunting, almost elemental fear of ICE, their determination to struggle against the assumptions of the powerful, and the balance of older values with the ambitions of the young, makes the piece a timeless window on an essential part of the American story. Not only that, it’s just a lot of fun to watch.
One mild disclaimer: there is a certain amount of stripping down that goes on, and for those who find even fairly innocuous exposure of female undergarments offensive, this one’s not for you.
What: “Real Women Have Curves” When: through October 4, 8 p.m. Tuesdays through Fridays, 4 p.m. and 8 p.m. Saturdays, 2 p.m. and 7 p.m. Sundays Where: Pasadena Playhouse, 39 S. El Molino Ave. in Pasadena How Much: $25 – $87, with premium seating $125 Info: (626) 356-7529 or http://www.PasadenaPlayhouse.org