Reviews for theater within the greater Los Angeles area.
Solid “Diary of Anne Frank” Graces Whittier Community Theatre
November 12, 2015Posted by on
The Whittier Community Theatre, now in the midst of its 94th consecutive season, has admittedly had its ups and downs, but when they do something right, they really do it right. Take as prime example their current production of Albert Hackett and Frances Goodrich’s adaptation of “The Diary of Anne Frank.” This deeply touching and absolutely true story of Jewish families hiding from the Nazis in a Dutch attic, as described to her diary by the teenaged Anne, cannot help but be affecting. Now, between casting, pacing and even the set design, WTC has brought the tale to life with an appropriate, clean vividness. As we, this year, mark the 70th anniversary of the defeat of Hitler, the show proves both instructional and endearing.
The tale is part of the modern psyche. After the liberation of western Europe Anne’s father returned to the attic where he, his family and several others had hidden for three years. Among the things left behind was the diary he had given his younger daughter, Anne, as they entered that attic. An aspiring writer, she dedicated long hours to describing their time there, philosophizing about the human race, and dreaming of a time beyond their self-imposed captivity.
Director Lenore Stjerne has gathered a cast of performers who not only embody the characters in that attic with skill, but look the parts as well. Richard De Vicariis, in perhaps his best role, plays Anne’s father Otto, the group’s central organizer and a man intent on keeping his humanity in the midst of claustrophobic human strife. Patty Rangel is Anne’s mother Edith, domestic and practical and desperately trying to maintain a sense of community.
James J. Cox is the somewhat questionable, bitter friend Otto feels he must pay back by bringing to the attic, while Joan Meissenburg makes interesting work of his materialistic, desperate wife. Tim Heaton gives the hermit-like last-minute addition to the group a petulant angst which helps define the tensions of this captive group. Casey Morlet makes a sympathetic Miep, the young woman who continued to supply the group with basic necessities throughout their isolation. John Francis makes Otto’s employee, and Miep’s partner in secrecy, a fragile but dedicated man.
Fitted in with this are the three young people, who define the specific conflicts of energy, desperation and hope. Wesley Mathews makes the shy, introverted Peter into a careful but deep thinker. Brenna Hanlen gives Anne’s older sister Margot a calm fatalism which provides interesting counter-balance to Anne’s optimism. And, as Anne – narrator of her own story and rich optimist about human nature – Gracie Lacey leads the cast in every possible way.
Thanks to Suzanne Frederickson’s set design, which utilizes the large Whittier stage while still giving a sense of the limited attic space, Stjerne can keep the flow going in such a way that one remains enraptured with the story. This is good, because the play is a long one – the first act an hour and a half – but the general quality means you don’t notice the passage of time. The costumes, created and coordinated by Karen Jacobson, accurately reflect time and place. Indeed, this whole production shows an extraordinary attention to detail, and a respect for the content which makes it a success.
In short, this “The Diary of Anne Frank” is most certainly worth seeing. I would also recommend it for young people who may not have been exposed to the book. Personally, my grandmother gave me a copy when I turned 10, with an introduction by Eleanor Roosevelt. This is powerful stuff, and as we reach a stage of history where almost all those who survived the horrors of the Holocaust have passed away, it behooves us to take the time to remind ourselves what they went through. Perhaps such remembrances can mean that one day we will reach a world where genocide itself is a thing of the past. Anne Frank seemed to think we might.
What: “The Diary of Anne Frank” When: Through November 21, 8 p.m. Fridays and Saturdays, 2:30 p.m. Sunday, November 15 Where: Whittier Center Theatre, 7630 Washington Blvd. in Whittier How Much: $15 general, $12 students/seniors Info: (562) 696-0600 or http://www.whittiercommunitytheatre.org