Reviews for theater within the greater Los Angeles area.
“How to Succeed…” in Claremont: Success as a Period Piece
And when looked at that way, its sheer silliness carries the day. Now in a good revival at the Candlelight Pavilion Dinner Theater in Claremont, “How to Succeed…” has a kind of winsome, ridiculous charm. At least it does when – as in this production – you find the leading man up to the task of making unadulterated ambition look cute.
The story follows the adventures of one J. Pierrepont Finch, a window-washer who uses an advice book on success to climb the corporate ladder in record time. In the process he cheerfully manipulates as many of the inner circles of corporate power as he can muster, all the while thwarting the CEO’s inept and entitled nephew. His exploits are celebrated by a company secretary, Rosemary Pilkington, whose fondness for him threatens to derail his single-focused effort to move up.
Three essential elements are needed for this to work. The first, as has been said, Finch must be charming as well as ambitious. Dino Nicandros proves more than up to that task, managing a combination of silliness, slapstick and sincerity which creates exactly the right tone throughout.
Secondly, the supporting characters – a lot of them – must be clever and energized. No problem there. Jared Ryan Kaitz makes the boss’ nephew just as slimy and whiny as he should be. Sallie Griffin makes Rosemary gently stereotypical, and pleasingly normal in a crazy storyline. Steve Gunderson gives just the right amount of ridiculousness to the oblivious CEO. Krista Curry all but steals the show as the naive bombshell Hedy LaRue, and Jennifer Wilcove stuns in the last number, when the boss’ secretary lets her hair down.
Lastly, the whole cast has to be able to sing and dance, in choreography which makes the most of the wry lyrics. The entire ensemble – large by Candlelight Pavilion standards – manages this impressively well, and DJ Gray’s choreography is up to the task most of the time. Indeed, the choreography of “Coffee Break” is funny from start to end, though “A Secretary is Not a Toy” never seems to quite find its thematic core.
Director John LaLonde has a gift for creating continuity in this very episodic tale, aided by Chuck Ketter’s impressive, and impressively mobile set. One other major plus is the wigs, by Mary Warde and Michon Gruber-Gonzales, evoking the era of big hair without being so corny as to distract.
“How to Succeed in Business” spoofs all the elements of the era in which it was created. For a while, the memories of the inequality and boy’s club mentality of that time were near enough to set one’s teeth on edge, but now – with the passage of years (and, quite frankly, a woman as a legitimate candidate for the Presidency) – it has become less annoying than oddly nostalgic. Like the far more serious “Mad Men,” it evokes an era which both fascinates us and reminds us of how, in so many ways, we’ve grown up. Come take a look. You’ll get a lovely meal into the bargain.
What: “How to Succeed in Business without Really Trying” When: Through May 28, doors open for dinner at 6 p.m. Fridays and Saturdays and Thursday, May 26; 5 p.m. Sundays, and for lunch matinees at 11 a.m. Saturdays and Sundays Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd. in Claremont How Much: $58-$73 adults, $30-$35 children 12 and under, meal inclusive Info: (909) 626-1254 ext. 1 or http://www.candlelightpavilion.com
Review Ann Myers, Candlelight Pavilion Dinner Theatre, Chuck Ketter, Dino Nicandros, DJ Gray, early 1960s musicals, How to Succeed in Business without Really Trying, Jared Ryan Kaitz, John LaLonde, Krista Curry, Mary Larde Michon Gruber-Gonzales, Sallie Griffin, spoofs of the executive lifestyle, Steve Gunderson
- Al Fresco “Midsummer Night’s Dream: light, fun, contemporary, if a bit uneven
- Everyone Has Fun in “Pump Boys and Dinettes” in Sierra Madre
- Extraordinary Intimacy: “The Humans” Excels at the Ahmanson
- “Legally Blonde” at Candlelight: Froth, Fun and a Bit of a Message
- As We Babble On: Minority Life and Art in the Era of the Internet