Stage Struck Review

Reviews for theater within the greater Los Angeles area.

Music as Brotherhood: “Bars and Measures” at Boston Court

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There are several layers to Idris Goodwin’s play “Bars and Measures”, just opened at The Theatre at Boston Court as part of a “rolling premiere.” Several themes relating to identity, race, faith and cultural attributes float together in a kind of orchestrated wrangle between brothers over what truth is, what art is, what justice is, and what limits family loyalty might have. The play proves intense, and leaves one with a lot to chew over, but its spare direction by Weyni Mengesha lets all these topics shine with a specific clarity.

The tale centers on two brothers. One, a respected jazz artist and convert to Islam currently in jail awaiting trial, and the other a Juilliard graduate more comfortable with classical music, trying to learn his brother’s music both as a form of family bonding, and as a way to support what he believes to be his brother’s innocence.

One is learning the struggles, indignities, and hardenings of incarceration. One is stretching out of a comfort zone and internalized prejudices to attempt understanding the world through his brother’s lens. Both, being African-American, face internal debates about where and with whom they fit.

Matt Orduna gives Bilal, the brother in prison, a kind of elemental dignity which carries him through the torments and prejudices of imprisonment and gives gravitas to the character’s composing life. Donathan Walters finds an interestingly middle stance in Eric, as a conventional guy trying to balance a satisfyingly conventional life with the edginess of both his brother and the jazz music he is learning to both appreciate and perform.

As both the FBI agent who set Bilal up, and a series of correctional officers, Brian Abraham vibrates with a strength and confidence which make him dominatingly convincing. Zehra Fazal creates, in the opera singer Eric shares his musical world with, yet another balance – this time of honoring cultural traditions yet embracing the wider modern world.

Still, the focus is on the two brothers and the gut-level expression of the jazz which both works to unite them, and to explain their elemental differences. In this – the scatting which becomes its own communication – Orduna and Walters excel. It becomes one of the elements which deepens the storyline far beyond the actual plot. Indeed, the play’s layered nature, and what it has to say about manipulation, prejudice and trust must be unpacked over time.

But then that is what one expects of plays at Boston Court: works which take thought even after the show is over.

What: “Bars and Measures” When: through October 23, 8 p.m. Thursdays through Satudays, 2 p.m. Sundays, plus 8 p.m. Wednesday performance on October 19, and two understudy performances 8 p.m. October 3 and 5 Where: The Theatre at Boston Court, 70 N. Mentor Ave (at the intersection with Boston Ct) in Pasadena How Much: $30 general, $25 senior, $20 student Info: (626) 683-6883 or http://www.bostoncourt.com ;

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