Reviewing Theatre For Over 40 Years
Charming, polished “Beauty and the Beast” at Candlelight Pavilion
Note: this production is currently sold out, though it may be possible that shows may be added to the schedule.
Local productions of Disney’s “Beauty and the Beast” are strangely hard to come by, considering both its charm and its general popularity. Now two disparate companies have joined forces to bring a solidly entertaining rendition to the edges of the Inland Empire, as the Inland Valley Repertory Theatre (IVRT) has come to the Candlelight Pavilion Dinner Theater in Claremont to make this potentially large musical shine on a comparatively small stage. The results are endearing, for the most part. The show is well cast and the magic works.
Unless you’ve lived under a rock for the past 25 years, you know some of Disney’s version of this ancient story. Belle, the beautiful, bookish daughter of an off-beat inventor, is pursued by Gaston, the village muscle-man, but yearns for a more romantic, expansive life. When her father is captured by a fearsome beast, she trades herself for his safety, and gradually comes to know the charms of both the beast and the magical castle he lives in. Still, Gaston will not be denied.
Lindsey Joan makes a charming Belle, with just the right carriage and vocal timbre to evoke the character everyone knows without being a carbon copy of the animated version. Matt Merchant has the mixture of size and grace needed to be the Beast, and sings with a conviction which makes his sorrowful “If I Can’t Love Her” one of the truly memorable moments in the production. Michael Moon, as Gaston, has the appropriately booming voice, selfish demeanor, and physique, to make him just as obnoxiously commanding as he’s supposed to be. Frank Minano manages to keep Belle’s father just kookie enough to seem a bit odd, but still warmly paternal.
In a show like this, the quality is often underscored by the supporting cast, and here this is very much the case. Bryan Overmyer seems to truly enjoy his time as the moderately lascivious Lumiere, Stanton Kane Morales gives warmth to the pompously precise Cogsworth, Nicholas Alexander somehow manages to make himself seem smaller than he is as Gaston’s minion Lefou, and Josh Tangermann proves as creepy as expected as the sinister Monsieur D’Arque. Angela Baumgardner makes a satisfyingly motherly Mrs. Potts, while Andrew Bar gives real presence to her son, Chip, which is remarkable when you consider that he spends most of the show as the face in a teacup.
Jenny Hoffman, Emma Nossal and Bailey Day Sonner prove most tuneful as the “Silly Girls” man-mad over Gaston, and Lizzie Porcari swishes about with style as Babette. Perhaps most impressively, Holly Jamison gives Madame La Grande Bouche the truly operatic voice she is supposed to have. All these fine performances are backed up by a solid and versatile ensemble.
Director John LaLonde has a real feel for material like this, managing to keep what could be a cloyingly saccharine story earnest and touching. Janet Renslow’s choreography manages the small stage well, though the often-celebrated, elaborately-patterned stein-clicking sequence during the hearty “Gaston” falls rather flat.
Still, that’s really the only hitch in a solid production. Completely kid-friendly, “Beauty and the Beast” offers a terrific chance to expose young people to the power and charm of live theater. At Candlelight, thanks to IVRT’s arrangement with the theater, one also gets a quality meal to go with the quality production (with reduced prices for the younger audience members). The combination can make for a satisfying adventure.
What: “Beauty and the Beast” When: Through February 5. Doors open for dinner 6 p.m. Fridays and Saturdays, 5 p.m. Sundays, and Thursday, February 2. Doors open for lunch 11 a.m., Saturdays and Sundays Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd. in Claremont How Much: $61-$76 adults, $30-$35 children under 14, meal inclusive Info: (909) 626-1254, ext. 1 or http://www.candlelightpavilion.com