Stage Struck Review

Reviews for theater within the greater Los Angeles area.

Corny but Polished: “42nd Street” at Candlelight Pavilion

"Listen to the Lullaby of Old Broadway" at Candlelight Pavilion's "42nd Street" [photo:  Demetrios Katsantonis]

“Listen to the Lullaby of Old Broadway” at Candlelight Pavilion’s “42nd Street” [photo: Demetrios Katsantonis]

Sometimes one goes to the theater for something profound. Sometimes one goes for something which will leave behind an underlying message to be chewed over a bit for its power or its emotional impact. Sometimes one goes to the theater for distraction, and for fun, with nothing more profound required than songs, dances and general earnest silliness. When this last is your goal, what better show than “42nd Street”? And what better venue than Candlelight Pavilion Dinner Theater, where you get to add a charming dinner to the mix.

There are three things necessary for a production of “42nd Street” to succeed. First, corny though it is, it must be played straight. Second, just about everyone in the cast has to be able to tap dance, and well. Third, the leads must radiate an innate innocence. All of these can be found in Candlelight’s production. The tale, silly as it is – and borrowed from the 1933 movie of the same name – uses the music of Harry Warren and Al Dubin, who wrote songs for a string of Warner Brothers hits in the early era of sound. The classic story of “small town girl makes good on the Great White Way” blends all of the elements which made those early talkies historic.

Peggy Sawyer, newly in New York from Allentown, Pennsylvania, manages to snag a part in a Broadway show which, at the height of the Depression, is a lifesaver for many of the “kids” in the cast. In this she is aided by Billy Lawlor, the show-within-a-show’s youthful tenor, though she runs up against the pompous, aging Dorothy Brock, who is not only the star of that show but has brought along the sugar daddy who will fund the production. When Dorothy breaks an ankle, exacting director Julian Marsh must search immediately for a replacement or the entire show will fold. Will Peggy be up to the leap which will make her “go on a showgirl, but come off a star”?

Director/choreographer DJ Gray has a strong command of this particular genre of musical, and has gathered a fine cast of dancers to provide the backdrop to the storyline. Indeed, top quality tap sets the stage for the rest of the production’s finest aspects. Emma Nossal gives Peggy the sweet combination of determination and innocence so necessary to the atmosphere of the show, and sings and dances up a storm. John LaLonde’s commanding presence and deeply resonant voice make him a perfect Julian Marsh. Michael Milligan gives Pretty Lady’s (the show within a show) youthful tenor the combination of ego and zing necessary to make him an engaging foil.

Sarah Meals does well as the pompous, aging star of the show, while John Nisbet has a lot of fun as the kiddy car king able to finance the entire production. Shannon Gerrity leads the chorus in support of Peggy’s chances, while Cynthia Caldwell and Josh Tangermann, as Pretty Lady’s writing team, become more actively engaged in the performance of the thing than usual. Among a large (by Candlelight standards) and highly gifted chorus, Chad Takeda proves a standout as the slinky thief in an otherwise period tap ballet to the show’s title tune, rather as if Bob Fosse’s choreographic concepts had invaded that sphere.

Gray has a strong sense of the purpose of this kind of show, and that is evident throughout. The costumes and wigs are right. The pacing and timbre of the piece keep it light and mildly silly. The skills of the performers are solid and highly entertaining to watch. The singing, under the musical direction of Douglas Austin, proves so organic it makes one forget the fact the orchestra was recorded ahead of time. In short “42nd Street,” as done by this company, is all one can hope for with a show of this type. That it comes with a lovely meal means one can guarantee a lighthearted, upbeat evening. In times like these, opting for the occasional bit of fluffy froth isn’t necessarily out of place.

What: “42nd Street” When: Through March 25, doors open for dinner at 6 p.m. Fridays and Saturdays, and 5 p.m. Sundays, with doors opening for lunch matinees at 11 a.m. Saturday and Sundays Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd. in Claremont How Much: $61-$76 adults, $30-$35 children 12 and under, meal inclusive Info: (909) 626-1254 ext. 1 or http://www.candlelightpavilion.com

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: