Reviewing Theatre For Over 40 Years
“Red Speedo” at The Road: Ethics, Sports, and the Individual
Playwright Lucas Hnath has built some of his considerable reputation on positing ethical puzzles – tracing a single choice or event to the ramifications for others who must then also make choices, done while never signaling a single “rightness”. The play becomes all about the character of each person involved, rather than preachiness. One just has a chance to wander, sometimes with gentle humor as well as drama and pathos, where a single fundamental choice leads.
Which brings one to Hnath’s “Red Speedo,” now at The Road Theatre Company in North Hollywood. Ray is a swimmer on the verge of qualifying for the Olympics. If he does, his lawyer brother has brokered a sponsorship deal for him with Speedo. Now Ray’s coach – owner of the gym where he trains – has discovered a cooler full of performance-enhancing drugs in his own office refrigerator. He feels honor bound to report this, which would throw suspicion on his entire gym. Ray’s lawyer suggests flushing the drugs and moving on. Where does Ray stand in it all?
Adam Peltier, as Ray, manages to tread the fine line between a genuine if undereducated and somewhat dim athlete, and turning the character into the stereotypical dumb jock. Although the portrait has intentional comic elements, the audience’s gradual exposure to his underlying humanity gives a certain gravitas to the conundrums of the storyline. As Ray’s brother Peter, Coronado Romero gives the initial fast-talking dominance an increasing physical vocabulary of insecurity. In the end, their story becomes more about marketing than family, and finance over partnership, with all the ethical and emotional baggage that carries with it.
Jason E. Kelley’s coach has to handle the ambition which comes from having a winner in the stable, and then struggling with the official ethics of his sport. As played, this role establishes what is to be gained and lost in the play’s puzzle, and Kelley gives it just the right tone. As Ray’s former girlfriend, who may have been complicit in creating the problem which needs solving, Kimberly Alexander voices a rich combination of bitterness, righteousness and concern. Both characters underscore the question-marks of the piece.
Director Joe Banno keeps this very talky piece in motion, and the tensions building in ways which prove engrossing throughout. Kudos to set designer Stephen Gifford and sound designer Chris Moscatiello who create the atmosphere of a competition poolside area without having to build an entire pool on stage. The results are immersive. A nod also to fight director Bjorn Johnson, whose choreography makes the culminating scene in this increasingly intense play both convincing and cathartic.
“Red Speedo” is, in its essence, an examination of the modern drive to win, the baggage that any athlete looking to end up on the world stage must carry with him, and how easy it is for that athlete to end up being seen as a commodity. As such it offers an audience a chance to ponder the ethics of sport itself – a process which will last after the play is done.
What: “Red Speedo” When: through July 1, 8 p.m. Fridays and Saturdays, 2 p.m. Sundays Where: The Road on Magnolia, 10747 Magnolia Blvd. in North Hollywood. How Much: $34 general, $15 seniors/students Info: (818) 761-8838 or http://www.roadtheatre.org