Reviewing Theatre For Over 40 Years
Tag Archives: Adam Garst
When a stage musical is created from a Disney animated film there are a few basic things to look for. How close was it to being a stage musical in the first place? How will they handle the fact some, if not all the characters are not human? Are the songs in the film appropriate and/or adequate for what one wishes to present on stage? What kind of special effects will be needed to recreate the familiar and beloved elements which made the film work, or should one move to create something new?
In “The Little Mermaid,” now at the La Mirada Theatre for the Performing Arts as part of the McCoy Rigby Series, the answers are extremely visual, creative in staging, and sometimes a bit of a let-down musically. Still, it can be a great way to introduce young people to musical theater as an art form, and has a lighthearted silliness which makes for appealing summer entertainment.
The story, based on a tale by Hans Christian Anderson, as reworked into a Disney film, is familiar to just about everyone by now. It follows a mermaid named Ariel, the daughter of King Triton, who yearns to leave the sea world where she feels she doesn’t belong for the world of humans. Fascinated by all she does not understand, she finds focus for her yearnings when she rescues a Prince Eric, thrown overboard from his sailing vessel, and falls in love with him. She cuts a deal with her evil aunt: her voice (though it is her signature) for legs and a chance to enter the human world.
The production uses sets and costumes designed for Broadway by Kenneth Foy, Amy Clark and, aided by Mark Koss, built for a production partnership headed by the Paper Mill Playhouse. Visually stunning, they capture an underwater feel in remarkable ways. The necessary characters “swim” with flowing fabric, Scuttle the sea gull flies and lands with authority, Sabastian has a significantly “crabby look,” and the evil Ursula’s tentacles wiggle and drape with ominous intent. It’s a great visual feast, aided by John MacInnis’ clever choreography and performed by an able ensemble of singers and dancers.
There are two great differences between the film and the stage production however, besides the obvious lack of water. First is the introduction of 14 songs with lyrics written, not by the award-winning Howard Ashman, but by Glenn Slater – whose work is comparatively pedantic. The second is a greater emphasis on the reason for Ariel’s yearning for the human world – that she doesn’t fit in under the sea – and Eric’s yearning to be a sailor rather than a prince, making both characters outsiders looking for someone who will understand. This, a response to those many who have disliked the film’s message that Ariel, as the girl, had to do all the changing in order to fit into Eric’s world.
Still, Alison Woods gives Ariel both an innocent sweetness and a remarkable voice, and makes the show worth watching. Melvin Abston has a lot of fun with Sabastian, the calypso crab. Eric Kunze, as the prince, is mostly asked to look handsome and sing well, and he does this with aplomb. Time Winters fusses charmingly as his tutor, constantly reminding him that he has duties to live up to. Adam Garst makes a sweetly geeky Flounder, and Fred Inkley becomes an imposing Triton.
Still, other than Woods, the standouts of the evening are Jamie Torcellini as the malaprop-dropping, tap dancing seagull Scuttle, Jeff Skowron in a brief but intensely memorable bit as a chef preparing a table-full of seafood dishes, and Tracy Lore as the sea witch Ursula – doing everything but twirling a mustache in her delightedly straightforward villainy. And, of course, there are those songs: “Part of Your World,” “Under the Sea,” and “Kiss the Girl,” among others. These works by Alan Menken and Howard Ashman set the tone for the modern Disney animated film – a legacy which has allowed one after another to be turned into successful stage events.
So, go see “The Little Mermaid.” You’ll enjoy a visual treat, and be joined by bevies of young girls – some even in costume – who will swoon to every move, and know every important line. And this is important, really, as a gateway for a new generation’s enthusiasm for live performance. A little stage magic (and this show has quite a bit) goes a long way in that wooing process.
What: “The Little Mermaid” When: Through June 26, 7:30 p.m. Wednesdays and Thursdays, 8 p.m. Fridays, 2 p.m. and 8 p.m. Saturdays, and 2 p.m. Sundays Where: La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd. in La Mirada How Much: $20-$70 Info: (562) 944-9801 or (714) 994-6310 or http://www.lamiradatheatre.com