Reviewing Theatre For Over 40 Years
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In the treasure-trove of lighthearted, silly musicals, Howard Ashman and Alan Menken’s “Little Shop of Horrors” has to one of the most universally beloved. Based on a “B” horror film by Roger Corman, twisted to be firmly tongue-in-cheek, it becomes a send-up of every element of early 1960s cultural framework. Now the Whittier Community Theatre brings the show to the stage once more, accompanied by a live band and filled with a youthful energy.
The tale is silly from the start. Seymour Krelborn and Audrey work at Mushnik’s Florist Shop on Skid Row. For obvious reasons, the store is struggling until Seymour produces one of his collection of exotic plants – a completely unique piece of vegetation which fascinates the public and makes the shop famous. As they cope with the rising fame, and the unique dietary habits of the plant, Seymour also worries over how to save Audrey from her sadistic boyfriend, and whether the fame he’s achieving is worth the emotional and physical cost.
Director Karen Jacobson has gathered a sharp cast to bring this lovely trifle to life. Jonathan Tupanjanin sings up a storm and looks appropriately nerdy as the hapless Seymour. Mallory Kerwin matches Tupanjanin note for note, and certainly acts the part as the voluptuously innocent Audrey. Richard De Vicaris appears in his element as the crusty, accusatory Mushnik. Matthew Berardi puts his all into the slimy boyfriend who orders Audrey around.
The show’s only major issue, which touches the leads but is most frustrating with the narrating chorus, is the uneven power and effectiveness of the performer’s body mics. Most particularly with the chorus, Mindy Duong’s Chiffon and Gracie Lacey’s Chrystal go back and forth between whose mic is on too loud, and Jenae Denise Thompson’s Ronnette often seems to not have a mic at all, which destroys the classic girl-group harmonies of their signature moments. The performers themselves sing well (though Lacey is sometimes a touch flat) but when you can only hear one of them at a time, the impact is less than stellar.
Sam Maytubby and Steven Sandborn handle the physical maneuvers of the plant life, soon named Audrey II, while Bear C.A. Sanchez gives the plant a dominating voice. The rest of the cast, an ensemble of skid row residents, sing very well, move necessary set pieces when needed, and provide a few cameo parts. Kevin Wiley’s five piece ensemble provides some of the best musical accompaniment I’ve heard at a WCT production. Indeed, with the exception of the mic glitches, the show proves one of the most polished musicals of their recent past.
Kudos go to Mark and Suzanne Frederickson for the set design, which offers a chance for the quick scenic moves so necessary to this fast-paced tale. Patty Rangel and Nancy Tyler provide just the right costumes to make the piece work.
With “Little Shop of Horrors” WCT marks the start of their 94th season. That alone is worthy of recognition. That they should be able to put up an essentially amateur production with the qualities found in this one is both remarkable and deeply satisfying. Go take a look. You’ll laugh a lot, especially if you’ve never seen the show, and help support a venerable institution working to stay relevant long into the future.
What: “Little Shop of Horrors” When: through September 26, 8 p.m. Fridays and Saturdays with one matinee at 2:30 p.m. Sunday, September 20. Where: Whittier Community Theatre, at The Center Theatre, 7630 Washington Ave. in Whittier How Much: $20 general, $15 seniors, students, juniors (18 and under), and military with ID Info: (562) 696-0600 or http://www.whittiercommunitytheatre.org