Reviewing Theatre For Over 40 Years
Tag Archives: Candace Elder
June 27, 2017Posted by on
You’d have to come from another planet, or be under the age of 5, to not know anything about “The Wizard of Oz.” For those of us who were not born in the earliest parts of the last century, it is the film we think of. In the pre-Internet age, the film’s annual appearance on television was a major family moment. At the dawn of the digitizing age, the film was even used to ridicule colorization (“If they had their way, they’d colorize the first ten minutes of ‘The Wizard of Oz'”). In my personal sphere, a dear friend’s mother is one of the last surviving cast members of the film, having played a munchkin as a child.
Few really stop to remember that “The Wizard of Oz” was originally a book – the first in a long series by L. Frank Baum (and, eventually, others). In its third life, the story has become a stage musical, using the material from the film, including a song left out of the original and the very 30s introductions once added to others. This musical has arrived at Candlelight Pavilion Dinner Theater in Claremont as a chance for kids on vacation, and their families, to beat the heat, eat a lovely meal, and be transported over the rainbow.
And, for the most part, that’s what they will get. The production, though there are a few creaky bits, makes the most of the small Candlelight stage, thanks in part to Chuck Ketter’s many, many backdrops and set pieces, and to the expansive performances – especially one – under the direction of John LaLonde.
The trick with any stage production of a musical film is to not try to compete with the movie. Here that’s hard, as so many have the thing virtually memorized. Still, Jaidyn Young, who shares the part with Sydney Dawn, makes an earnest and innocent Dorothy, singing the signature “Over the Rainbow” and holding her own as a dancer. Jesse Ashton Rhodus gives Scarecrow an appropriately loose-limbed quality, and a quietly positive air. Andrew Lopez, though handed the most unfortunate costume, becomes a very earnest and heartfelt Tin Man. Still, the best of this group is Austin Rea’s take on the Cowardly Lion, which eschews Burt Lahr’s Borscht Belt humor and Brooklyn accent for a deeply earnest innocence which plays beautifully and more originally with the rest of the group.
Also worthy of note are Jim Skousen’s apologetic wizard, Candace Elder’s concerned Aunt Em, and Michael J.Isennock in the dual roles of the Mayor of Munchkin City and Nikko, the captain of the flying monkeys. Sami Nye’s cheerful Glinda balances Courtney Bruce as the Wicked Witch of the West. As the show’s villain, Bruce has a great time, and handles the quick comings and goings with comparative ease, but sometimes gets so wound up by her own villainy she becomes difficult to understand.
There are a few technical issues as well, most particularly in the generally charming approach of Glinda’s bubble (oil that contraption – it shouldn’t squeak), and the decision to use blinking lights in the essential witch-with-a-firey-broom sequence (which don’t turn off when needed). Also, one wonders if it might be possible for the twister to be less static, though the way of presenting those things caught in it is clever.
Still, the choreography by Kim Eberhardt makes even the restored, if somewhat odd, “The Jitterbug” interesting. The magic of the Wizard and the disappearance of the Witch both prove quite effective, and the consistent use of a very competent children’s ensemble along with the usual chorus gives the thing a vitality and charm which proves the most important thing in the piece.
In the end, this “Wizard of Oz” has many more pluses than flaws. And, although you may find yourself repeating an awful lot of the words along with the actors – at least in your head – take the time to look around at the children in the audience. They are having as good a time as the kid in the balcony who waved at Glinda’s bubble every time it went by, on opening night. Note that there is a specific children’s menu for this show, complete with theme-based drinks.
What: “The Wizard of Oz” When: through July 29, doors open for dinner at 6 p.m. Fridays and Saturdays, at 5 p.m. Sundays, and at 11 a.m. for lunch Saturday and Sunday matinees Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd. in Claremont How Much: $61-$76 adults, $30-$35 children, meal inclusive Info: (909) 626-1254, ext. 1 or http://www.candlelightpavilion.com
June 10, 2014Posted by on
For those of us who grew up in the late 1950s and early 1960s, there are certain cultural earmarks. We all remember Ed Sullivan and the fact that every set we knew was tuned to him on Sunday nights. We all remember (whether or not we were devoted fans) Elvis, back when he was cool and comparatively un-spangle-y. And we remember when a black-and-white Dick Van Dyke was tripping over an ottoman every week.
Out of that time, and in that time, came the Broadway musical “Bye Bye Birdie,” for which Van Dyke won the Tony which propelled him onto television. Vaguely based on the hysteria caused when Elvis was drafted, it managed to make fun of its own time in a lighthearted and tuneful way which has now turned it into a cute and lighthearted period piece. Now at the Candlelight Pavilion Dinner Theater in Claremont, its view of working women may remind one more of “Mad Men” than anything relatable today, but that is offset by the general cheer and silliness.
Kim McAfee is the 15-year-old, midwestern small-town fan whose name is chosen for a spectacular event: Conrad Birdie, the heartthrob rocker, will sing to her on The Ed Sullivan Show and then give her his last kiss before reporting to the army. All of this is the machination of Birdie’s manager, Albert Peterson, who has written the song and is trying to make enough money to marry his longtime assistant. The assistant, Rosie Alvarez, is in a duel for Albert’s attentions with his domineering and comically manipulative mother and business partner, Mae. And, of course, neither Kim’s newly acquired boyfriend Hugo, nor her father, are particularly happy to see her kissing a sex symbol on television.
Maggie Anderson sings and dances well, and gives a genuine quality to Kim, which makes a nice antidote to the far-too-old Ann Margaret of the film version. David Aldrete stomps and pouts as the stereotypical father, and has a great moment in the show’s two best songs: Hymn for a Sunday Evening (which apparently embarrassed Ed Sullivan no end), and the oft-repeated “Kids”. Candace Elder oozes understanding as Kim’s mother.
Beth Mendoza has a terrific time as the overblown Mae, right down to the Brooklyn accent. Kevin McDonald really looks the part of the young Elvis-style crooner, black leather jacket and all, as Birdie. Yet, perhaps the most central figures to making the whole show work are Allen Everman’s earnest and intense Albert, and Amber-Sky Skipps’ Rosie. Backed by a strong dancing ensemble, given great numbers to perform by choreographer Hector Guerrero and tight, interesting characterization by director John LaLonde, these two power the storyline.
Skipps has, perhaps, the roughest time, simply because her character was created for one of the greatest dancers ever on Broadway, Chita Rivera. The great dance sequence with a band of shriners is rough, and sometimes lacks the crispness of the other numbers, but her characterization is strong and wins out in the end.
In truth, “Bye Bye Birdie” is fun, but mostly lightweight nostalgia. Its cheerful lyrics, like the charmingly ironic “How Lovely to be a Woman” sung by a teenager, or the show’s most famous number, “Put On a Happy Face,” will leave one bright and bubbly. The show is good for kids, as the most “immoral” moment is Birdie’s hip-swivels, an homage to the part of Elvis that Sullivan wouldn’t show on television. And the food is good – particularly so, this time. So, go take a look. It’s a nice, simple way to celebrate the advent of summer.
What: “Bye Bye Birdie” When: Through July 13, doors open for dinner 6 p.m. Fridays and Saturdays, 5 p.m. Sundays, and for lunch 11 a.m. Saturdays and Sundays Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd in Claremont How Much: meal inclusive, $53-$68 adults, $25 children Info: (909) 626-1254 ext. 1 or http://www.candlelightpavilion.com