Stage Struck Review

Reviews for theater within the greater Los Angeles area.

Tag Archives: Carlos David Lopez

The Curious Savage in Whittier: Unique Individuals, Gentle Humor

l. to r.: Richard de Vicariis, Candy Beck and Elizabeth M. Desloge in The Curious Savage at Whittier Community Theatre

For the second play of their 96th season, the Whittier Community Theatre has chosen the gently comic “The Curious Savage” by John Patrick. In a time when the battle between decency and avarice is played out in the news and on all forms of media on a regular basis, the play itself seems particularly apt. The quietly wry wit of Patrick’s play, and its message to humanity, have kept in relevant even as a few other aspects seem somewhat dated.

The setting is 1950, and an institution called The Cloisters – a home for persons who are wrestling with the balance between their hopes and fears and what the world deems as real. Into this calming but unique community arrives Mrs. Ethel Savage, the widow of a wealthy man. She has been placed in The Cloisters by her three step-children, determined to stop her from frittering away the millions they expect to inherit.

Mrs. Savage, having doted upon her husband from an early age, is now determined not only to act out the silly wishes she kept dormant, but to form a fund to let others do the same: an appallingly crazy concept to the determined trio who have committed her.
In The Cloisters, she encounters five damaged but sincere individuals to whom she listens and with whom she develops a unique rapport. As it becomes increasingly obvious that the step-children do not have her best interests at heart, it is these “inmates”, and the doctor and assistant who attend them, who may be able to rise to the occasion and prove her right to her own desires.

Though the WCT production starts a bit slow, it builds into a very likable piece. As the step-children, Gary Page’s pompous US Senator proves sharp and commanding, Frank McCay’s childish judge has just the right whine, and Elizabeth M. Desloge (despite a somewhat unfortunate wig) makes a most focused money-grubber. Richard De Vicariis, as the presiding doctor, manages one of his best, gently underplayed performances. LIkewise, Amy Miramontes proves warmly humane as the attendant nurturing the institution’s inhabitants.

As for the inhabitants, Janet Arnold-Clark makes sweet work of the woman whose fantasy keeps her dead little boy alive, and Jeffrey Buckner-Rodas, as a man convinced he can play the violin, proves both earnest and charmingly suggestible. Carlos David Lopez unwinds gradually as a man so stricken with survivor’s guilt he carries it into self-image, while Cindy Cisneros gives the young girl desperate to deserve love and attention a quirky gusto. Best of the lot is Julie Breihan’s truly funny Mrs. Paddy, who hates everything with a spectacular sulky look and delivery.

Mrs. Savage herself must, rightly, be filled with an energy which powers her ability to connect with her fellow inhabitants, and defines the drive to circumvent her wastrel stepchildren in order to achieve her dreams. Cindy Beck, a WCT regular in a number of capacities, warms to this gradually, so that her best version of Ethel arrives after the intermission. From then on, she commands the proceedings, creating an atmosphere of warmth, and underscoring the play’s central points.

Mark Frederickson’s set makes good use of Whittier Community Center’s long, slender stage, giving a realism to the piece. Karen Jacobsen’s costumes generally, if not precisely, reflect the period. The ending piece – a picture of what the inmates see when they look in the mirror – proves particularly striking, when it arrives.

Director Lenore Stjerne has a feel for the point and the humor of this play. Indeed, the playwright’s abjuration that the “inmates of The Cloisters be treated with warmth and dignity” is obviously focal to her pacing and structuring of the performances. As a result, what one finds is a contrast between dreamers and takers, between human kindness and self-focus. In the end, this may be the most important thing about going to see “The Curious Savage.” Who actually is a savage provides a pointed finger at what so many have or yearn to become.

As part of their annual Thanksgiving drive, bring a non-perishable food item to the box office and receive a free goodie (they have brownies!) at intermission. All contributions will be donated to the local food bank.

What: “The Curious Savage” When: through November 18, 8 p.m. Fridays and Saturdays, 2:30 p.m. Sunday, November 12 Where: Whittier Community Theatre at The Center Theatre, 7630 Washington Ave. in Whittier How Much: $15 adults; $12 seniors (62 and over), juniors (18 and under), students, and military with ID Info: (565) 696-0600 or http://www.whittiercommunitytheatre.org

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