Reviewing Theatre For Over 40 Years
Tag Archives: Colette Peters
March 20, 2019Posted by on
The musical “No, No Nanette,” though originally a product of the 1920s, became a hit first on Broadway and then in stages large and small around the nation beginning in the 1970s. As such it sparked a revival of the “classic” old school musical filled with frothy songs, tap dancing, and a remarkably simplistic romantic plot. Still, it’s fun to see the one which started it all, at least in modern terms. Now one can, at the Candlelight Pavilion Dinner Theater in Claremont.
The plot is typical: Jimmy Smith, a good-hearted, wealthy businessman goes behind his skinflint wife’s back to platonically assist three women from around the country who inspired his sympathy. Now they are coming to see him and he asks his lawyer and friend Billy, whose spendthrift wife spends all he makes, to square the three women away so they will no longer intrude upon his life. In the midst of this, Billy’s ward Nanette, despite having decided she loves Billy’s nephew Tom, decides she wants to sow a wild oat or two before marrying him. Through secrets and happenstance, all these folk end up heading for the same Atlantic City cottage at the same time. Hilarity, and a lot of song and dance, ensue.
Erin Dubreuil makes a sweet Nanette, singing and dancing with skill and style. Tracy Ray Reynolds gives Billy’s wife Sue a flamboyant glee. Colette Peters radiates sensibility but still cuts a mean rug as Jimmy’s more cautious mate. Frank Minano has a lovely time as the over-generous, innocently enthusiastic Jimmy, making him a lovely accompaniment to the equally pure adventuring of Dubreuil’s Nanette. The other characters, and the versatile chorus, give the show its fluffy feel. It’s all light-hearted fun.
Still, the real standout of this production is Mary Murphy-Nelson as the grumpy, and extremely funny maid, Pauline. As she threatens to quit, dances with and scolds her vacuum cleaner, and otherwise offers commentary on the world at large and the silliness of the proceedings around her in particular, Murphy-Nelson’s comic timing remains the best thing in this show.
Director John Lalonde knows how to create order out of all this silliness. Choreographer John Vaughan has the tappers tapping and the waltzers waltzing with Busby Berkeley-esque period style. The set by Chuck Ketter adapts well. One can argue that it is tough to cut a three-act show into the required two a Candlelight production must have, but even this is done with a kind of confidence which takes the audience along for the ride.
In short, “No, No Nanette” is light, frothy fun. Songs like “Tea for Two” have re-entered the American songbook because of it, and even the most titilating moments are nothing which could offend anyone of any age. At Candlelight, of course, this comes with a good meal and (should one wish) a luscious dessert.
What: “No, No Nanette When: through April 13, doors open for dinner at 6 p.m. Fridays and Saturdays, and a special Thursday performance April 11, 5 p.m. Sundays, and for lunch matinee at 11 a.m. Saturday and Sunday Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd in Claremont How Much: $63 – $78 adult, $30 – $35 children 12 and under Info: http://www.candlelightpavilion.com or (909) 626-1254 ext.1
November 9, 2017Posted by on
The stage musical version of “9 to 5,” the iconic feminist movie from 1980, had its birth at the Ahmanson Theatre in Los Angeles, then a Broadway run in 2008. With music by Dolly Parton, who had originally written the title song for the film, it brought back the feisty trio of Violet, Judy and Doralee, whose kidnapping of their vindictive, sexist boss and subsequent running of the office in his name not only turns their company’s productivity around but empowers each of the women in ways they need most.
Now at Candlelight Pavilion Dinner Theater in Claremont, the show stands up well for the most part. There is, of course, Parton’s songs – many of them significantly memorable – to provide the most important underpinning to the enterprise. The cast proves energetic and consistently engaged, and by and large the end result proves satisfying. The only challenge, really, in this as in any production is finding the edgy vitality so necessary to the three central women who power the piece.
Most certainly, the trappings are there and work very well. Director John Vaughn’s pacing and choreography let an able ensemble set a vibrant tone for the increasingly happy workplace. Chuck Ketter’s set design allows the admittedly episodic tale to flow easily from one scene to the next. The supporting players, especially Orlando Montes’ touching portrayal of Violet’s potential love interest, and Rachel McLaughlan, as Roz, the secretary comically obsessed with the boss the others abhor, round out the storyline and the feel of the piece in important ways. Ernie Marchain manages to make Mr. Hart – the boss – just as slimy and condescending as one would hope, another necessity.
As the three who provide the show’s focus, Juliet Schulein makes a terrific Violet – commanding and fragile by turns, with an innate toughness that underscores everything in the show. Colette Peters gives the timid Judy a sort of wide-eyed openness which makes her character work. As Doralee, the country-bred secretary victimized by the boss’ false rumors, Krista Curry manages the accent and style well, though her singing edges on the shrill side enough to keep the character from seeming as in control as she needs to be.
Even when it premiered, “9 to 5” was a somewhat antiquated style of musical. Still, it’s fun and lighthearted, with a sense of moral victory which seems particularly apt at a time when so many bosses are being appropriately thrown under the bus for slimy behavior. Once again, and to their own surprise, Candlelight Pavilion has a show speaking to modern sensibilities in a far more timely way than they anticipated when creating their season.
So go take a look. As always at Candlelight, the show comes with a lovely meal, and an ambiance which can prove an antidote to the many tensions of our current state of affairs.
What: “9 to 5” When: through November 25, doors open for dinner at 6 p.m. Fridays, Saturdays, and one Thursday performance November 16; 5 p.m. on Sundays; and for lunch at 11 a.m. Saturdays and Sundays. Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd in Claremont How Much: $61 – $76 adults, $30 – $35 children 12 and under, meal included Info: (909) 626-1254, ext. 1 or http://www.candlelightpavilion.com