Reviewing Theatre For Over 40 Years
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For some theatrical companies, versions of the Charles Dickens classic “A Christmas Carol” have become an annual staple. One such theater is A Noise Within, in Pasadena. When they first moved from Glendale to this, their permanent home, I went to see what they’d done with the time-honored story, and was generally pleased even though there was a most odd and somewhat deflating costuming choice at the end which truly got in the way. Now, four years later, I decided it was probably time to take another look.
When evaluating what spectacle may be added to this tale, one must always remember that Dickens, and many after him up to and including Patrick Stewart, have made theater by simply reading the thing aloud onstage. It is that powerful all on its own. What theatricality one adds must never get in the way of the story itself, and – at least in my book – retain the innate spookiness of the thing which makes Scrooge’s fear real and his conversion more understandable.
A Noise Within’s co-artistic directors, Geoff Elliott and Julia Rodriguez-Elliott, who also co-direct this production, have honored this concept most of the time. There are still signature dollops of ensemble in anachronistic diaphanous fluff and bowler hats, but they are mostly enhancing the scary or dreamlike bits. Thus, in Elliott’s adaptation, the original author is treated as star of the piece.
Freddy Douglas acts as narrator, in contemporary dress, reading Dickens’ evocative descriptions and setting up each scene. Geoff Elliott gives Scrooge the appropriate crustiness and self-absorption, and makes his gradual softening seem more organic to his own history. Eric Curtis Johnson creates a gentle, bookish Cratchit, which balances well against Elliott’s character.
The ensemble accompanying these central figures gives each of a wide variety of characters individuality and interest, powering the story along.
Among the characters they create, Jill Hill gives Mrs. Cratchit a lovely balance of humanity and authority, creating a sense of unity and family. Indeed. Savannah Gilmore, Jack Elliott, Samuel Genghis Christian and Rigel Blue Pierce-English work well together to create a happy, if impoverished Cratchit household, joined by Eli Stuart’s genuinely charming Tiny Tim. Rafael Goldstein gives Scrooge’s nephew Fred a gentle nature and radiant optimism, Alison Elliott gives a quiet bitterness to Scooge’s fiancé, Belle, and Jeremy Rabb creates an almost ferociously sad aspect as Marley’s ghost.
As for the beneficial visiting ghosts, Deborah Strang’s otherworldly sprite works well as the Ghost of Christmas Past, emphasizing the warmth of Scrooge’s younger self. Stephen Weingartner’s huge and rather odd-looking Ghost of Christmas Present still embodies the essence of Dickens’ cheerful view of the holiday, and the underpinnings of deprivation which need to be addressed.
In a most exciting change from my previous experience of ANW’s version of this classic, the unnamed Ghost of Christmas Yet to Come offers up a far more Dickensian, darkly hooded, spooky, silent figure which, when combined with an impressive headstone, cements Scrooge’s rising terror at what might become of him. Jeanine A. Ringer’s mobile set and prop pieces help the necessarily episodic tale flow as a single piece, as the story itself does.
In short, the A Noise Within production of “A Christmas Carol” offers a genuine treat, and stays generally true to the Dickensian. Stay after the show for a chance of photographs with the major characters.
What: “A Christmas Carol” When: through December 23, 8 p.m. Fridays and Saturdays, 7 p.m. Sundays, 7:30 p.m. Wednesday and Thursday December 21 and 22, 2 p.m. Saturdays and Sundays Where: A Noise Within, 3352 E. Foothill Blvd. in Pasadena How Much: from $25, with student and Sunday rush tickets available for certain performances Info: (626) 356-3100 ex 1 or http://www.anoisewithin.org