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When one hears the names Bonnie Parker and Clyde Barrow, one is inclined to think first of the groundbreaking 1960s film based on their exploits, or about the fact the two were briefly considered heroes in the financially downtrodden midwest of the Great Depression until those same exploits became too deadly. In 2009 the La Jolla Playhouse premiered a musical. which later traveled to Broadway, based on the legendary criminal couple, focused on their apparently quite real love story – the illicit nature of which was as tantalizing to the 1930s public as their bank robberies.
Now open at the Candlelight Pavilion Dinner Theater in Claremont, “Bonnie and Clyde” proves both captivating and intense, with an engaging pacing and energy. Featuring a fine cast, an score of eclectic styles, an on-stage band, and tight, knowledgeable direction, the show has a bit of something for almost anyone who is fascinated by the combination of brutality and passion these two and those closest to them represented.
The story borders on legend by now, and must of course be truncated some to fit into a couple hours on the stage. Clyde, a long-time petty crook from an impoverished family, falls for Bonnie, a struggling waitress separated from the husband she married at 16, and they fall in love. As Clyde’s ambitions and crimes increase he sucks in both Bonnie and his brother Buck to create a gang which gradually moves from petty thefts and store robberies to bank robberies and murder. Their story becomes fodder for tabloid newspapers, but they become increasingly hunted by law enforcement until their predictable, untimely end in an ambush.
Beau Brians gives the necessary edginess and sings with intensity as Clyde. Callandra Olivia creates in Bonnie a mixture of a young woman wrestling with the dichotomy of personal love and desire, and the dawning acknowledgement of the dangerous path her dreams have let her take. Nic Olsen, as Clyde’s brother and sometime partner in crime, is played for a kind of innocence which counterbalances Clyde’s amorality. Katie McGhie, gives Clyde’s sister-in-law Blanche the kind of backbone missing from the film, and a moral core which pounds against the gang’s actions even as she is drawn into them. All of these performers sing extraordinarily well. Indeed, a duet between Olivia and McGhie, “You Love Who You Love,” is one of the high points of the entire production.
Other standouts among a large and versatile cast include Jennifer Lawson and Lisa Dyson as Bonnie and Clyde’s mothers, respectively, David Sasik as the young deputy in at the finish who had known Bonnie in her waitressing days, and Michael Lanning – a member of the original company – as an intense country preacher. Also worthy of particular note are Serena Thompson and Joey Caraway as the young Bonnie and Clyde, bringing gravitas to their youthful dreams.
Director Victor Hernandez was a member of this show’s Broadway cast, and the familiarity and love he has for this production shines through in every aspect. Chuck Ketter’s remarkable set makes terrific use of the Candlelight’s small stage, making scene changes virtually instantaneous and helping propel the intensity of the piece. Music director Ryan O’Connell leads the on-stage band and keeps the tone and pacing of the entire production – one almost entirely sung – on target.
As happens with most people who become legends, the history of this “Bonnie and Clyde” plays fast-and-loose on occasion with the documentable facts, but it does seem to instill what appears to have been the romantic aspect of their story with somewhat greater accuracy than some accounts. Certainly, it is worth taking a look, and at Candlelight Pavilion it comes with a good meal as well.
What: “Bonnie and Clyde”. When: through October 13, doors open for dinner at 6 p.m. Fridays and Saturdays, 5 p.m. on Sundays, and at 11 a.m. for lunch on Saturdays and Sundays How Much: $63 – $78 adults, $$30 – $35 children under 12, meal inclusive. Info: (909) 626-1254, ext. 1 or www.candlelightpavilion.com