Reviewing Theatre For Over 40 Years
Tag Archives: Lewis Crouse
The tale follows the whirlwind romance of Peter and the often pessimistic Rita up to a wedding which, thanks to the appearance of an unknown elderly man, sets their story on an odd trajectory. Is Rita still Rita, or has there been some kind of exchange between Rita and the unknown man? If so, now what?
Jason Cook is Peter, the boy in this boy-meets-girl fairy story. As such he becomes both protagonist and narrator, and is largely responsible for not only the tone but the tempo of the piece. It takes him a bit of time to warm to this, but once in full swing, he proves as nonplussed and yet desperately hopeful as one could wish. As Rita, Jessica Taylor Gable makes a good foil for Peter’s casual optimism, and switches gears well as the tale becomes more convoluted. In the second half, as more is revealed and things get weirder, both hit their stride in ways which propel the story and capture the audience’s focus.
Also worthy of note are Jose Barajas as Peter’s longtime and rather bland friend, and Nancy Tyler, particularly when playing the elderly man’s concerned daughter. Loriston Scott has some solid moments as a bartender, and Kathryn Hunter and Gary Page make real characters out of Rita’s quirky parents.
Still, it is as that elderly man that Lewis Crouse often nearly steals the show. He manages to balance the weird internal struggles of this dual person, while connecting with the two principals in very interesting ways.
Director Roxie Lee has a sense of what can make this production work and has created real connection between the characters. It all works, with one major exception. In also designing what set there is – mostly furniture which can be moved quickly on and offstage, she has neglected the fact that the stage of The Center Theatre, where they perform, is really quite large. The space defeats the innate intimacy of this piece. Narrowing the entire area would do the show great service, and perk up the first half which is broken too much by the episodic pauses for furniture shuffling.
Still, especially in the second half, “Prelude to a Kiss” proves amusing with an undercurrent of great heart. One word of warning, though. Unlike most community theater fare it has references to sexual fantasies and intimacy which may make it unsuitable for younger children, and those who would be offended by such elements.
Still, it’s worth taking a look, and celebrating a theater which may easily be the longest-running company in Southern California.
What: “Prelude to a Kiss” When: through November 17, 8 p.m. Fridays and Saturdays, with a Sunday matinee 2:30 November 11 Where: The Center Theater, 7630 Washington Ave. in Whittier How Much: $18 adults, $15 seniors (62+), juniors (18 and under), students and military with ID Info: (562) 696-0600 or whittiercommunitytheatre.org
Farce is an art form all its own. It demands a particular kind of rhythm, both from the performers and from the playwright. Ken Ludwig may be the best known farce-writer in America. His “Lend Me a Tenor” has become the gold standard of this kind of airy fluff. Now, at the Whittier Community Theatre, another of Ludwig’s silly pieces, The Fox on the Fairway,” offers up laughter, pratfalls and comic mayhem once again.
And once again, timing is everything. Fortunately, at WTC, the cast is – for the most part – up to the challenge. The play may not be quite as hysterical as “Tenor,” but it offers up plenty of laughs, snickers and a whole lot of golf humor. If you’ve got a golfer in the house, and want a laugh, this may be for you.
The plot – such as it is – is fairly simple. It is the day of the annual grudge-match golf tournament between Quail Valley Country Club and their arch-nemesis, Crouching Squirrel Golf and Racquet Club. Quail Valley manager Henry Bingham is sure he finally (after five years of losing) makes an unwise bet with his rival’s manager, only to find that his best player has defected to the other club. He thinks he is saved when he discovers that his new assistant, Justin, is an extraordinary golfer. The problem is Justin only plays well when not upset, something which may prove trickier than Henry thought.
Director John Francis has assembled a fine cast for this affair. Justin Patrick Murphy does everything but chew the scenery as the easily rattled Justin. MacKenzie Rae Campbell creates a delightfully volatile airhead as Justin’s fiance – the major cause of his upset. Lewis Crouse powers the piece as Henry – part bully, and part panicked investor. Greg Stokes, as the scheming head of the other club, really is as obnoxious and snotty as the character has to be.
Roxie Lee, as a club board member, and Toni Beckman as Bingham’s domineering wife, both have wonderful moments. However they both need to work on projection. Some of their funniest lines are quite hard to hear. Vincent Rodriguez – a young man for whom this show is a high school senior project – makes a fine tournament announcer, having also helped bring this production into being.
A nod must also go to Suzanne Frederickson for coming up with the perfect set for this kind of show, even if one of the swinging doors came loose due to all the slamming back and forth. Karen Jacobson must have had a ball with the costuming: finding all the truly obnoxious golf sweaters for Stokes’ character.
Indeed, there is a real sense of polish to this essentially amateur production. The sound effects are just right. The costuming is pretty much right. The set is created with farce in mind. The characters are well defined, and create the kind of ensemble which makes this particular kind of ridiculousness work. As with all of Ludwig’s plays, the humor builds: the crazy really comes out in the second half, so wait for it.
Try to catch this while you can. Sadly, WTC productions only last a couple of weekends – a part of their 92-year tradition.
What: “The Fox on the Fairway” When: Through June 15, 8 p.m. Friday and Saturday Where: The Center Theatre, 7630 Washington Ave. in Whittier How Much: $12 general, $10 seniors/children, $8 students/active military Info: (562) 696-0600 or http://www.whitttiercommunitytheatre.org