Reviewing Theatre For Over 40 Years
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For those of us who grew up in the late 1950s and early 1960s, there are certain cultural earmarks. We all remember Ed Sullivan and the fact that every set we knew was tuned to him on Sunday nights. We all remember (whether or not we were devoted fans) Elvis, back when he was cool and comparatively un-spangle-y. And we remember when a black-and-white Dick Van Dyke was tripping over an ottoman every week.
Out of that time, and in that time, came the Broadway musical “Bye Bye Birdie,” for which Van Dyke won the Tony which propelled him onto television. Vaguely based on the hysteria caused when Elvis was drafted, it managed to make fun of its own time in a lighthearted and tuneful way which has now turned it into a cute and lighthearted period piece. Now at the Candlelight Pavilion Dinner Theater in Claremont, its view of working women may remind one more of “Mad Men” than anything relatable today, but that is offset by the general cheer and silliness.
Kim McAfee is the 15-year-old, midwestern small-town fan whose name is chosen for a spectacular event: Conrad Birdie, the heartthrob rocker, will sing to her on The Ed Sullivan Show and then give her his last kiss before reporting to the army. All of this is the machination of Birdie’s manager, Albert Peterson, who has written the song and is trying to make enough money to marry his longtime assistant. The assistant, Rosie Alvarez, is in a duel for Albert’s attentions with his domineering and comically manipulative mother and business partner, Mae. And, of course, neither Kim’s newly acquired boyfriend Hugo, nor her father, are particularly happy to see her kissing a sex symbol on television.
Maggie Anderson sings and dances well, and gives a genuine quality to Kim, which makes a nice antidote to the far-too-old Ann Margaret of the film version. David Aldrete stomps and pouts as the stereotypical father, and has a great moment in the show’s two best songs: Hymn for a Sunday Evening (which apparently embarrassed Ed Sullivan no end), and the oft-repeated “Kids”. Candace Elder oozes understanding as Kim’s mother.
Beth Mendoza has a terrific time as the overblown Mae, right down to the Brooklyn accent. Kevin McDonald really looks the part of the young Elvis-style crooner, black leather jacket and all, as Birdie. Yet, perhaps the most central figures to making the whole show work are Allen Everman’s earnest and intense Albert, and Amber-Sky Skipps’ Rosie. Backed by a strong dancing ensemble, given great numbers to perform by choreographer Hector Guerrero and tight, interesting characterization by director John LaLonde, these two power the storyline.
Skipps has, perhaps, the roughest time, simply because her character was created for one of the greatest dancers ever on Broadway, Chita Rivera. The great dance sequence with a band of shriners is rough, and sometimes lacks the crispness of the other numbers, but her characterization is strong and wins out in the end.
In truth, “Bye Bye Birdie” is fun, but mostly lightweight nostalgia. Its cheerful lyrics, like the charmingly ironic “How Lovely to be a Woman” sung by a teenager, or the show’s most famous number, “Put On a Happy Face,” will leave one bright and bubbly. The show is good for kids, as the most “immoral” moment is Birdie’s hip-swivels, an homage to the part of Elvis that Sullivan wouldn’t show on television. And the food is good – particularly so, this time. So, go take a look. It’s a nice, simple way to celebrate the advent of summer.
What: “Bye Bye Birdie” When: Through July 13, doors open for dinner 6 p.m. Fridays and Saturdays, 5 p.m. Sundays, and for lunch 11 a.m. Saturdays and Sundays Where: Candlelight Pavilion Dinner Theater, 455 W. Foothill Blvd in Claremont How Much: meal inclusive, $53-$68 adults, $25 children Info: (909) 626-1254 ext. 1 or http://www.candlelightpavilion.com